The stolen items include the famed golden Helmet of Coțofenești, dating back to 450 BC, and three royal Dacian bracelets, both of immense historical and cultural significance.
In the early hours of Saturday, January 25, at approximately 3:45 am, local police responded to a report of an explosion at the museum. Upon arrival, officers discovered that the suspects had used explosives to breach a reinforced door.
The targeted exhibition featured over 600 artefacts, including gold and silver treasures from the Dacians, an ancient civilisation that thrived in modern-day Romania more than 2,000 years ago.
Surveillance footage shows three individuals entering the premises, where they broke into display cases housing the artefacts. Damage from the explosion extended to the museum’s building and nearby properties, though no injuries were reported.
A burned-out vehicle was discovered 30 minutes later near the N33 motorway, approximately seven kilometres from the museum. Authorities believe the car was used as a getaway vehicle before the suspects switched to another mode of transport.
The heist’s most significant loss is the golden Helmet of Coțofenești, an exquisite artefact crafted from one kilogram of pure gold.
The helmet, a highlight of the exhibition, is believed to have been used by Dacian nobility. It had been loaned to the Drents Museum by the National History Museum of Romania in Bucharest.
Three gold bracelets from the Dacian royal collection were also taken. These artefacts, alongside the helmet, are emblematic of the Dacians’ advanced metalworking skills and their wealth, derived from the gold-rich Transylvanian Ore Mountains.
The heist has drawn sharp reactions from Dutch and Romanian officials. Harry Tupan, Director of the Drents Museum, described the incident as “a dark day for the museum and our Romanian colleagues,” adding that in the museum’s 170-year history, it had never experienced such a significant crime.
Marco Out, the Mayor of Assen, expressed shock, stating: “This is something you never want to happen as a museum, a city, or a province.” He confirmed that multiple government bodies, including the Dutch Ministry of Foreign Affairs, were now involved in the investigation.
Romanian Foreign Minister Emil Hurezeanu held talks with his Dutch counterpart, Caspar Veldkamp, to emphasise the cultural and symbolic significance of the stolen pieces.
Hurezeanu described the heist as having a “profound emotional impact” in Romania, and assured that Romanian embassies in neighbouring countries had been alerted to assist in recovery efforts.
The Dutch authorities have activated cross-border cooperation mechanisms and involved Interpol in the search for the stolen treasures.
The exhibition, which opened in July 2024 and was due to close on January 26, 2025, was highly regarded for its display of artefacts on loan from 15 Romanian institutions.
However, questions are now being raised about security measures, especially given the decision to house the artefacts in a building with an exterior wall that reportedly allowed the thieves direct access to the display cases.
Ernest Oberländer-Târnoveanu, Director of the National History Museum of Romania, confirmed that Romanian staff were scheduled to begin packing the artefacts for their return on Sunday. He noted that the heist occurred just days before the collection was due to be transported back to Romania.
Dutch police are urging anyone with information to come forward, particularly those who may have witnessed unusual activity at the museum or around the stolen artefacts. The public is also encouraged to report any attempts to sell the items on the black market.
The Drents Museum remains closed while investigators examine the scene. In a statement, the museum said it is fully cooperating with authorities and expressed hope that the stolen treasures will be recovered.
The theft of the Helmet of Coțofenești and other Dacian artefacts is a significant blow to efforts to preserve and showcase the cultural heritage of ancient civilisations. The items not only represent historical craftsmanship but also serve as symbols of Romanian identity and history.
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